In this day and age, science fiction, not to mention its more popularized version, scifi, has lost its prestige. Before we get into its current dilapidated state, first we need a cursory analysis of its emergence, to properly assess its origins. Continue reading The Decline of Science Fiction
It seems that our time is the most cynical and intensely pessimistic era ever in recorded history. Continue reading Nihilism in the Iliad and Pantheon
Life without utopia is suffocating, for the multitude at least: threatened otherwise with petrifaction, the world must have a new madness. — Cioran, History and Utopia
There’s a fault line running in science fiction that predates it: the Great Optimism -Pessimism divide. The most obvious trope of each is the role of utopia/dystopia in the science fiction work, but that is slightly more complicated than it appears.
Some years ago, Alan Moore, the acclaimed author of Watchmen and Miracleman, claimed that all comics after the 1960s were fan fiction, largely for several reasons related to the massive replacement of the original writers with a younger generation.
I will argue why he is right… and why he’s wrong. Continue reading Alan Moore and fan fiction
I had an epiphany a few days ago: the graphic novel I am working on, Pantheon, is a vampire novel. I mean, it doesn’t obviously share with many traditional elements (blood sucking, undead creatures), but they both feature immortal beings that reflect on our humanity in many ways, and most importantly in an existential fashion. Continue reading Existentialism in Pantheon
A historical novel by Gore Vidal, Creation is an Odysseus styled dialectic on religious dogma. The main character, Cyrus Spitama, is the grandson of Zarathustra, and his encounters with other 5th century sages are clearly the highlights of the novel. Cyrus is fixated on the question of creation, or the origin of the universe or human existence. Initially he was indoctrinated by Zarathustra, specifically the dualistic ontology of Zoroastrianism. Convinced with this religious truth, he sets out to test the alternative answers or non-answers of other wise men, such as those from the East: the Buddha, Confucius, Lao-Tze, and the West: Pythagoras, Anaxagoras, and etc. However, the book demonstrates how much of a fatal flaw the question of creation was for Western philosophy, because it always was the wrong question. Continue reading Creation, by Gore Vidal
Giacomo Leopardi is one of the greatest secrets of 19th century poetry. Despite being heralded by luminaries like Schopenhauer1 and Nietzsche, his fame remains scattered in Europe and hardly extends to the American hemisphere. Leopardi’s Zibaldone di pensieri2 was read by every school kid but they barely cracked open his Operette Morali.3 The likely culprit is an irredeemable pessimism that was too difficult for interpreters to connect it to contemporary issues. Leopardi wrote mostly moral essays, parables, fables, and dialogues – painting life as a joke of the gods – a darkly comic view of world and its inhabitants. However, instead of leaving the reader sad and pathetic, they are actually funny. Continue reading Leopardi and pessimism
I have been thinking about the best or most appropriate way to tackle the relationship between Christ and the gods of Pantheon, and recently I came across a potential approach in Sloterdijk’s “Cabinet of Cynics” chapter from Critique of Cynical Reason where he goes through the five embodiment of cynicism through history. The first suspect is none other than Diogenes, who embodied the low theory version in his decided opposition to the all-too serious discourse of Socrates & Plato. Kynicism was based on the animal nature of man, where the gestures of the body were framed as arguments (farting or shitting or whacking off in public). In other words Diogenes poked fun at his grave opponents, but instead of talking against such idealism, he lived in opposition in an anti-theoretical, anti-dogmatic and anti-scholastic way. Continue reading Pantheon and Christ