As the doyen of the French Enlightenment, Voltaire has come to exemplify the Age of Reason.Continue reading Voltaire
The moral and philosophical predicaments of Shakespeare still haunt us today. His sonnets exhibit a fixation with time, uncertainty and death, whereas his plays explore the gory existence beneath the pleasant veneer we manufacture.Continue reading Shakespeare
Nothing at all. Our relationship with death has profoundly shaped Western culture. A pervasive death consciousness has created religions, nourished philosophies and eventually stimulated scientific investigation, as well as fueled fanaticism, a brooding and melancholic pessimism, which resulted in nihilistic conclusions. Such nihilistic sentiments are far more than merely isolated occurrences, pervasive although manifesting in various guises. Continue reading In the beginning… there was Nothing.
From the established trunk of Afrofuturism emerges a new branch I call Panfuturism. This isn’t some Ukranian offshoot of avant-garde Futurismo, for what it is worth. Where Afrofuturism is science fiction without the colonial mentality and othering, and reimagined with ancient African traditions with an unapologetic black identity, Panfuturism is also science fiction, but on a global scale, up to and including all our ancient mythologies re-imagined in a post-human future. Continue reading Panfuturism
Last month, I finally published the first volume of Pantheon: Heterotopia. This blog is the lessons I’ve learned from writing and drawing it over the last few years. Writing Pantheon, at least the very first chapter, was done in a flash of inspiration, and unlocking a hidden treasure. But it wasn’t until long afterwards that I realized that most of the hard work was done before I even sat down to write – it was the reading and imagining the possibilities for years until it finally crystallized as a true piece of art. Something worth endowing with a thousand perfections and to count my blessings with limitless satisfaction. But this was a serious overestimation, as if the first chapter dripped from the honeyed lips of the Muses into my broken ears. Chapter one was just the opening step. Continue reading On Writing Pantheon
In this day and age, science fiction, not to mention its more popularized version, scifi, has lost its prestige. Before we get into its current dilapidated state, first we need a cursory analysis of its emergence, to properly assess its origins. Continue reading The Decline of Science Fiction
It seems that our time is the most cynical and intensely pessimistic era ever in recorded history. Continue reading Nihilism in the Iliad and Pantheon
Life without utopia is suffocating, for the multitude at least: threatened otherwise with petrifaction, the world must have a new madness. — Cioran, History and Utopia
There’s a fault line running in science fiction that predates it: the Great Optimism -Pessimism divide. The most obvious trope of each is the role of utopia/dystopia in the science fiction work, but that is slightly more complicated than it appears.
Some years ago, Alan Moore, the acclaimed author of Watchmen and Miracleman, claimed that all comics after the 1960s were fan fiction, largely for several reasons related to the massive replacement of the original writers with a younger generation.
I will argue why he is right… and why he’s wrong. Continue reading Alan Moore and fan fiction