Giacomo Leopardi is one of the greatest secrets of 19th century poetry. Despite being heralded by luminaries like Schopenhauer1 and Nietzsche, his fame remains scattered in Europe and hardly extends to the American hemisphere. Leopardi’s Zibaldone di pensieri2 was read by every school kid but they barely cracked open his Operette Morali.3 The likely culprit is an irredeemable pessimism that was too difficult for interpreters to connect it to contemporary issues. Leopardi wrote mostly moral essays, parables, fables, and dialogues – painting life as a joke of the gods – a darkly comic view of world and its inhabitants. However, instead of leaving the reader sad and pathetic, they are actually funny. Continue reading Leopardi and pessimism