It all began with mirrors – the birth of self-consciousness as well as the realization that we have been cut off from the great Earth mother, and therefore the source of life. In Ovid’s Metamorphoses, Narcissus died from the shock of recognizing his own identity. He was a young Greek of extraordinary beauty, but crippled by self-love. He rejected the love of others, and most famously that of the cursed nymph Echo. Gazing at an image on the surface of a pond, Narcissus became entranced with it. But once he realized that the image was his own reflection, and therefore couldn’t consummate his love, he fell into despair and drowned himself.
“You take the blue pill, the story ends. You wake up in your bed and believe whatever you want to believe. You take the red pill, you stay in Wonderland, and I show you how deep the rabbit hole goes.” – Morpheus
The Red Pill in the Matrix liberates the human mind from the Matrix and grasp the true reality. In philosophy, the red pill is the principle of insufficient reality. In the book, Joyful Cruelty, Clement Rosset addressed the cruelty of reality and the standard evasive strategies philosophers have used to avoid it. Every attempt to minimize the cruelty of truth, or the harshness of the real, has the inescapable consequence of discrediting the most brilliant efforts and the most noble causes. Continue reading The Principle of Insufficient Reality
In this day and age, science fiction, not to mention its more popularized version, scifi, has lost its prestige. Before we get into its current dilapidated state, first we need a cursory analysis of its emergence, to properly assess its origins. Continue reading The Decline of Science Fiction
It seems that our time is the most cynical and intensely pessimistic era ever in recorded history. Continue reading Nihilism in the Iliad and Pantheon
Miami Vice. BladeRunner. Raiders of the Lost Ark. The Goonies. Top Gun. We are all children of the eighties, due to an overpowering sense of nostalgia.
At the most basic level, the TV show was a deathmatch between two dominant cult films of the end of the 90s: the narrator from Fight Club and Patrick Bateman from American Psycho over the stakes of capitalism. Mr. Robot is Sam Esmail’s attempt at re-purposing and repairing of these two opposing representations in order to succeed where they both failed. Therefore Mr. Robot transcends tribute and arrives at re-invention. Continue reading Mr.Robot, Fight Club, American Psycho
A reading of Frantz Fanon’s Wretched of the Earth inspired a possible story for my ongoing graphic novel, Pantheon, particularly a world full of a sentient species that were ruled by “divinities,” better understood as demigods from our ancient mythologies. Continue reading Pantheon and Postcolonialism
One of the main reasons of conceiving my graphic novel epic Pantheon is to explore the post-human aspect of science fiction, and I felt this was the most interesting direction to take the stories of mythology towards. For me, science fiction works best when it expresses the future according to our hopes and fears, but mythology works in a different fashion – it comes from some type of a collective unconscious of the human experience. That said, a combination of both elements should be quite rich and dynamic. Continue reading The Post-Human in Pantheon
In this matchup, we have two still breathing Giants of European intelligentsia, who agree that ideology must be the critique of cynicism. However, but of course, like every other philosopher in the history of thought, they disagree on everything else. Continue reading Battle of the Giants of Cynical Reason
This blog will illustrate a nonlinear trajectory of the “cynic” from antiquity to the present that relies on the historiographer Mark Phillips‘ conception of “reframing,” a master metaphor for historical change that demonstrated cultural transmission as a technique of using and making. Continue reading Genealogy of Cynicism