Best anime of 2014

Another tough year, down the drain. There were several deserving shows, regardless of the endless flow of mediocrity, and they deserve a mention.

 

Space Dandy

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The dandiest guy in space

 

One of the all-time greatest creators in anime, Shinichirō Watanabe (Cowboy Bebop, Samurai Champloo) returned with a fantastic premise in experimentation: start with a ragtag bunch of bounty hunters (Dandy, Meow, and QT) and throw them into impossible scenarios, and then… reset each episode, wipe it clean for the next one. This is anthology done right as each episode became a showcase for the top animators, directors and writers in the business. That did recycle the overall shtick, but somehow, each episode managed to shoot for the highest peaks in blending or bending genre, mixing parodies and homages. I often applaud creativity over technical execution, especially when ambition and originality plays a huge factor in this surreal and over-the-top series. You could say Space Dandy “saved” anime in 2014, but truth be told – there wasn’t much to save in the end. Both whimsical and great, Space Dandy would’ve been a strong contender in any other year, because there’s absolutely nothing like it.

 

 

Kill la Kill

Kill la Kill

Anime is an unique medium that isn’t as grounded in mimicry or verisimilitude – and that means the creators should push its boundaries every time, exploit the medium without respect to realism in the slightest. And Kill la Kill is the latest exponent of this philosophy, in a long line that dates back to Tengen Toppa Gurren Lagann and FLCL – a madcap, hyper-kinetic spectacle with a barely coherent plot and outsized, totally outrageous characters. Absolutely zero filler episodes means this show had impeccable pacing. Admittedly, there were plenty of fan-service-y innuendo and inside baseball jokes (many of the puns are based on Japanese words), so many of the references might fly over your head. Competently animated, and completely slick with its stylized aesthetic, Kill la Kill is a shot of adrenaline to your groin, and doesn’t let go until you’re pumped at maximum capacity, frothing at the mouth, ready to change the world – or at least blog on the next episode.

 

And… that’s it.

 

Two. Frigging. Shows. All. Year. Jumping Jehoshaphat. 2014 was a down year in Anime. I mean, we are talking the Leastern Conference bad in the NBA these days. Even my favorite anime bloggers burned out (Psgels) or delegated the burden (Scamp) or started blogging other non-anime content about Japan (Guardian Enzo).

 

Flops? Of the ones I did hunker down and watch…

 

PSYCHO-PASS 2

Decent science fiction ideas in the wake of Gen Urobuchi marred by substandard execution. No budget, one dimensional characters? Junk it.

 

Fate/Stay Night Whatever Whatever

No matter how great a studio is, it just can’t get beyond the ridiculous high school setting. Ufotable couldn’t escape the 15 ton ball and chain of shounen and that Yuji Everylead the Bland character.

Scifi film in dialogue with 2001: A Space Odyssey

2001: A SPACE ODYSSEY (1968) GARY LOCKWOOD TTO 016FOH

A few weeks ago, I came across an article on Grantland that pushed forth the thesis that all science fiction films after 1968 are in dialogue with 2001: A Space Odyssey, and shared it with my colleague in intellectual crime, Paul. Continue reading Scifi film in dialogue with 2001: A Space Odyssey

Ethics of Piracy

piracy

The other day I got into a debate on twitter about the morality of sharing ebooks. Someone was posting free copies of Roger Zelazny’s books on kindle, and I replied that I was entitled to ebooks of the printed books I own. This writer challenged that assertion and asked for an argument. I refused to engage in his Empire-inflected moralizing, that the writer owned the medium his story is printed on, and used the Ship of Theseus example to deconstruct the notion of ownership.shipoftheseusargument

  Continue reading Ethics of Piracy

The Hipster and Cynical Reason

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Smoke clove cigarettes? Wear ironic trucker hats? Skinny jeans? Horn-rimmed glasses with bug-eyed lenses? Graduated with a liberal arts major? Carry a shoulder-strap messenger bag? Soi disant exceptionally cultured, with at least one pop vice? Have at least one Republican friend, and describe him/her as your “one Republican friend?” Unwashed hair, but position said head on pillow at night to maximize cowlick? Yes, you’re a hipster. Continue reading The Hipster and Cynical Reason

Criticism and Pop Culture


This quote illustrates the problem with criticism and art today, especially when it comes to pop culture critics.

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Wonder Woman, by Cliff Chiang

The comic book critic Kelly Thompson dropped Wonder Woman after issue #7, and explained herself in her article “Is the Destruction of the Amazons The Destruction of Feminism in DC Comics?”  Basically, the writer of Wonder Woman, Brian Azzarello, has returned the titular character Wonder Woman to ancient Greek mythological roots. However, Greek mythology is much more bloodthirsty and savage than their previous incarnations, notably expressed by George Perez in the mid 80s. The Olympians of Perez seemed closer to the stoic figures of Roman mythology: certainly noble but mostly detached from the affairs of mortals. Continue reading Criticism and Pop Culture

Best Dystopian Films

1984
1984

Utopias had been the dominant literary form rather than dystopias in the past: Plato & Thomas Moore invented and re-invented the utopian society in order to present their political & economic views that did not extend further than coarse socialism. Once communism became a fact in the early 20th century, socialism switched from utopian fantasies to dystopian horror. Once we figured out how horrible socialism could be in reality, the utopian genre was extinct due to the death of the socialist dream. Zamyatin published We in 1921, not long after the Bolshevik coup d’etat, and ended up as the first book to be banned by the Soviets. Continue reading Best Dystopian Films

Best Post-Apocalyptic films

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by Blur Dot Blog

Before I get into the list, I think a distinction between dystopian and post-apocalyptic films is necessary. Both classifications have been run together too often in recent years to the point that they’re nearly indistinguishable. However, a good understanding of cinema requires clear and distinct earmarks of each genre, and that will lead to a rich & robust discourse. Continue reading Best Post-Apocalyptic films

Best anime of 2013

Admittedly, this was a tough year, since there weren’t as many quality shows as there were in the last two years. It probably did not help matters that the best two shows actually began during the 2012 fall season. Last year, I tried to pick the best two series of each season, but that won’t work this year, because there aren’t enough to qualify. Continue reading Best anime of 2013

The Best Time Travel Films ever

back-to-the-future-deloreans

As a trope in science fiction, time travel allows for virtually any possibility and therefore, it’s the most abused plot gimmick ever. Luckily for us, a few diamonds have turned up in the rough. There are thousands of great time travel stories in science fiction, including comic books and television, but only a smattering of films qualify for this high honor. The great time travel film is not necessarily a scientific one, a logically consistent one, or even a time travel type for morons. They are the ones that succeed in presenting a brand new view of our times, or confessing profound truths about human nature.  Continue reading The Best Time Travel Films ever

Break On Through (Schopenhauer) to the Other Side!

O sweet & deadly nihilism, what cruel beauty…
Of the four flavors of psychological states,
Three intoxicants are poisonous
Naturally & culturally, individually & socially!

First venomous flavor is the cockcrow
Of arrant meaninglessness–
A failure of Grand Purpose,
Promises a bitter aftertaste of 
Discouragement & melancholia!


Second rancorous flavor is the faith
In some conjectural Everything, a great Chain of Being;
A cosmic guarantor of infinite worth!
Woe unto he who loses his faith,
for he loses his own self-worth too!

Third malignant flavor is the visceral gasp
At the infinite flux, absent a safe respite;
Nothing to do but condemn all
For the sake of some Cloud Cuckoo Land,
That has no staying power whatsoever!

And the Fourth flavor? Curiously,
Neither aim, nor unity, nor Being apply!
Nothing left but a brand new tomorrow
Freed of crumbling relics & monuments of yesteryear!
Freed at last to create new selves, new worlds, new futures!