A reading of Frantz Fanon’s Wretched of the Earth inspired a possible story for my ongoing graphic novel, Pantheon, particularly a world full of a sentient species that were ruled by “divinities,” better understood as demigods from our ancient mythologies. Continue reading Pantheon and Postcolonialism
One of the main reasons of conceiving my graphic novel epic Pantheon is to explore the post-human aspect of science fiction, and I felt this was the most interesting direction to take the stories of mythology towards. For me, science fiction works best when it expresses the future according to our hopes and fears, but mythology works in a different fashion – it comes from some type of a collective unconscious of the human experience. That said, a combination of both elements should be quite rich and dynamic. Continue reading The Post-Human in Pantheon
In this matchup, we have two still breathing Giants of European intelligentsia, who agree that ideology must be the critique of cynicism. However, but of course, like every other philosopher in the history of thought, they disagree on everything else. Continue reading Battle of the Giants of Cynical Reason
This blog will illustrate a nonlinear trajectory of the “cynic” from antiquity to the present that relies on the historiographer Mark Phillips‘ conception of “reframing,” a master metaphor for historical change that demonstrated cultural transmission as a technique of using and making. Continue reading Genealogy of Cynicism
In this blog I trace cynical reason of 20th century American history as a phenomenon in two aspects: in the sphere of economics and in the sphere of cultural arts. Instead of complaining about the so-called poverty of contemporary politics or whining about the decline of contemporary morality, I insist on cynical reason as a dominant sentiment of the post-Fordist capitalist existence. In this respect, cynical reason extends further than the emotional or psychological response to the contemporary existence, and closer to a sociological analysis. Continue reading Tracing Cynical Reason in 20th Century America
Life without utopia is suffocating, for the multitude at least: threatened otherwise with petrifaction, the world must have a new madness. — Cioran, History and Utopia
There’s a fault line running in science fiction that predates it: the Great Optimism -Pessimism divide. The most obvious trope of each is the role of utopia/dystopia in the science fiction work, but that is slightly more complicated than it appears.
“Philosophers have hitherto only interpreted the world in various ways; the point is to change it.” Continue reading Change the World?
Twitter is the perfect medium for today’s over-saturated media-soaked times. Continue reading Philosophy on Twitter
The other day I got into a debate on twitter about the morality of sharing ebooks. Someone was posting free copies of Roger Zelazny’s books on kindle, and I replied that I was entitled to ebooks of the printed books I own. This writer challenged that assertion and asked for an argument. I refused to engage in his Empire-inflected moralizing, that the writer owned the medium his story is printed on, and used the Ship of Theseus example to deconstruct the notion of ownership.
Educated Americans tend to confuse morality and art, and morality for them tends to mean social consciousness which usually equals bad art.
— Bret Easton Ellis (@BretEastonEllis) November 4, 2011
This quote illustrates the problem with criticism and art today, especially when it comes to pop culture critics.
The comic book critic Kelly Thompson dropped Wonder Woman after issue #7, and explained herself in her article “Is the Destruction of the Amazons The Destruction of Feminism in DC Comics?” Basically, the writer of Wonder Woman, Brian Azzarello, has returned the titular character Wonder Woman to ancient Greek mythological roots. However, Greek mythology is much more bloodthirsty and savage than their previous incarnations, notably expressed by George Perez in the mid 80s. The Olympians of Perez seemed closer to the stoic figures of Roman mythology: certainly noble but mostly detached from the affairs of mortals. Continue reading Criticism and Pop Culture