After reviewing the best of anime of 2011, I realized that ranking great masterpieces was a disservice to each other, and to everyone, so I decided to pick only the best two of each season, and leave out the subjective, inconstant ranking. As always, they are based on my mixture of subjective preferences of philosophical depth and aesthetics appeal, but I try to leave room for the unexpected, which allows me to learn how to enjoy despite my worst habits. Continue reading Best anime of 2012
While I’ve read several works in literature that could pass as nihilistic, it wasn’t until Fate/Zero I could say I’ve come across a truly nihilistic masterpiece. Even the classic Neon Genesis Evangelion did not reach this nadir of such depraved nihility. Gen Urobuchi, the writer of Fate/Zero has expressed similar sentiments in his other works such as Puella Magi Madoka Magica, but Fate/Zero serves as a platform that displays a potpourri of various philosophies that are exposed one by one as fictitious or illusory.
This will be my first time to attempt a “review” of anime (Japanese animated shows), and I think a good review is the fine line between fan-boy-ism and elitism, one that is honest with passion, but always facing the direction of the ideal anime. Because I’m a johnny-come-lately to anime, the actual best shows I watched in 2011 are Revolutionary Girl Utena, Bakemonogatari, and Bokurano. Continue reading Best anime of 2011
I have been enjoying the ongoing Japanese anime Fate/Zero, & episode 11 consists of a dialogue between three legendary kings who expressed philosophical differences about ruling. The interlocutors are Saber (King Arthur), Rider (Alexander the Great) and Archer (Gilgamesh), but the most interesting aspect was the diametrically opposite approach between Arthur and Alexander regarding how to rule. It was fascinating enough to inspire a lengthy rant on morality, Nietzsche, and representation. Continue reading Dialogue of Kings: a clash of moralities