Other Post-Postmodernisms: a glossary

Confetti Death, by Typoe
Confetti Death, by Typoe

 

The previous blog focused on pseudo-modernism, on whether it was a sufficient successor to the dominant cultural paradigm. In my research, I realized that there were way too many “posts” to postmodernisms that I needed a program to tell them all apart.  Continue reading Other Post-Postmodernisms: a glossary

Pseudo-modernism

Post-post-post-post...
Post-post-post-post…

Is postmodernism really dead, finally, after a thousand articles and books arrogantly, yet prematurely announced its death? Or perhaps tomorrow belongs to it because postmodernism is born post-humously? Kirby made a strong case in his article, Death of Postmodernism and Beyond (2006), in which he claims that the Internet is essentially proof that the zeitgeist has lurched from the text back to the reader — now an active participant in the creation of text. Continue reading Pseudo-modernism

genealogy of modern art

Bords d'une rivière by Cezanne
Bords d’une rivière by Cezanne

Modern art emerged during the end of realism or the crisis of representation (Cezanne, Cubism, Dadaism, Surrealism). Realism is defined as the mirror theory of knowledge where the mind is a mirror of reality and objects that exist independently of the mind are represented (reproduced by a concept/work of art) adequately, accurately and true. Continue reading genealogy of modern art