Miami Vice. BladeRunner. Raiders of the Lost Ark. The Goonies. Top Gun. We are all children of the eighties, due to an overpowering sense of nostalgia.
In this blog I trace cynical reason of 20th century American history as a phenomenon in two aspects: in the sphere of economics and in the sphere of cultural arts. Instead of complaining about the so-called poverty of contemporary politics or whining about the decline of contemporary morality, I insist on cynical reason as a dominant sentiment of the post-Fordist capitalist existence. In this respect, cynical reason extends further than the emotional or psychological response to the contemporary existence, and closer to a sociological analysis. Continue reading Tracing Cynical Reason in 20th Century America
Smoke clove cigarettes? Wear ironic trucker hats? Skinny jeans? Horn-rimmed glasses with bug-eyed lenses? Graduated with a liberal arts major? Carry a shoulder-strap messenger bag? Soi disant exceptionally cultured, with at least one pop vice? Have at least one Republican friend, and describe him/her as your “one Republican friend?” Unwashed hair, but position said head on pillow at night to maximize cowlick? Yes, you’re a hipster. Continue reading The Hipster and Cynical Reason
Modern art emerged during the end of realism or the crisis of representation (Cezanne, Cubism, Dadaism, Surrealism). Realism is defined as the mirror theory of knowledge where the mind is a mirror of reality and objects that exist independently of the mind are represented (reproduced by a concept/work of art) adequately, accurately and true. Continue reading genealogy of modern art