Ancient Greek mythology symbolized the existential considerations of the Hellenic Greek their origin and the nature of things. The Greek Pantheon consists of anthropomorphic beings with supernatural powers and desires. Much like humans, they are capricious, intolerant and bored. Therefore, these Olympians account for a frightening, unpredictable reality and the gratuitous suffering of mortals. Continue reading Ex Nihilo
This past weekend, I was reading an article on tragedy, and in the book The Death of Tragedy, George Steiner said that the rise of rationalism and the dominance of secular worldview has destroyed the metaphysical grounds for tragedy for today. Continue reading Tragedy today?
Recently I’ve thought about how tragedy has been minimized in modern culture if not totally eliminated. If tragedy is supposed to be the aesthetic experience par excellence, the most divine product, then its slow fade to black is worth investigating. It is a given that the greatest of literary geniuses of the modern era consistently fail to produce a contemporary account of tragedy, and the reasons are legion. Continue reading The tragic fate of Tragedy…
This short blog is an illustration of the contrast between two impulses: the religious and a very ancient one, the tragic. The religious impulse comes from a long and hard look into the depths of the human element – suffering – and in the process of doing so, a divine force is postulated, inferred, invented, or projected.To be religious is to see with the eyes of faith, which is the facility of seeing in the dark. Faith enables groping around in a pitch black universe. Having such eyes leads to the absence of expectation for evidence, assurance, or justification of any sort. Continue reading On the religious and the tragic impulses