Impressions: WTF. Yes, much like others, I was left speechless. I couldn’t make heads or tails of what the hell I saw. The last time I had that disconcerting feeling was the first time I watched End of Evangelion. Given the amazing levels of awesome Evangelion 2.0 You Can (Not) Advance reached, I was geeked for more of the same, but I was left reeling with confusion, full of questions, and a slow burn that ended in anger.
After reviewing the best of anime of 2011, I realized that ranking great masterpieces was a disservice to each other, and to everyone, so I decided to pick only the best two of each season, and leave out the subjective, inconstant ranking. As always, they are based on my mixture of subjective preferences of philosophical depth and aesthetics appeal, but I try to leave room for the unexpected, which allows me to learn how to enjoy despite my worst habits. Continue reading Best anime of 2012
Luck*y sev*en (luk’ sev’ n) n. The renegade bunch of self-proclaimed party animals of south California; group of rapscallions that gained notoriety through reckless mischief and endless hype during the late 90’s.
Founded by Drizzit, Ez, Noid, Doughboy, Stinky, and the Wizard, the Lucky 7 was a counterculture phenomenon. Countless recruits dogged the L7 to be included, to get a piece of the glory or at least share the peripheral benefits. Their code is to raise hell and increase mayhem by getting as messed up as possible, which was in demand for deaf social functions for the 20 something year olds … Continue reading Lucky 7
While I’ve read several works in literature that could pass as nihilistic, it wasn’t until Fate/Zero I could say I’ve come across a truly nihilistic masterpiece. Even the classic Neon Genesis Evangelion did not reach this nadir of such depraved nihility. Gen Urobuchi, the writer of Fate/Zero has expressed similar sentiments in his other works such as Puella Magi Madoka Magica, but Fate/Zero serves as a platform that displays a potpourri of various philosophies that are exposed one by one as fictitious or illusory.
Hypocrisy is the respect vice pays virtue. – La Rochefoucauld
Hypocrisy is essentially an action where one pretends to hold clear and recognized set of values or attitudes but actually doesn’t. Despite choosing vice, the hypocrite understands that virtue is superior and assumes its facade. Therefore, the hypocrite is not being dishonest about good or evil, but rather himself. Continue reading Master Vice: Hypocrisy
Imagine a show that didn’t just “jump the shark” but became the very shark itself during its 26 episode run. Created by manga artist/writer Esuno Sakae, and animated by Asread, Mirai Nikki is an utterly over-the-top, insanely great series that consistently delivered with twists carried out by deus ex machina characters riding a trainwreck of a plot with reckless energy that absorbed every fatal flaw of narration and obliterated them to smithereens.
The original seven deadly vices had two subdivisions: spiritual (pride, envy, wrath) and corporal (sloth, greed, gluttony and lust). After listing the new seven deadly vices, I began to reconsider them as a whole and realized that they should reflect some fundamental opposites or antitheses. I decided on two master vices: Intolerance and Hypocrisy. In a sense, intolerance is opposed to hypocrisy because the intolerant rejects external difference, while the hypocrite denies or conceals one’s own difference. Continue reading Master Vice: Intolerance
There are two aspects of boredom: Kurzeweile (short while) and Langeweile (long while).
Langeweile is the condition of modernity and one isn’t held accountable for being born in a certain epoch. However kurzeweile is a response to a short stretch of time where nothing happens. Continue reading New Seven Deadly Vices: Boredom
“We are so accustomed to disguise ourselves from other people that in the end we disguise ourselves from ourselves.” La Rochefoucauld