Some remarks about The Wire

Today, literary criticism is an exceedingly complicated discipline – one so complex that most people are unable to put forth a serious critique of a book without falling back on their own subjective tastes that lack rigor and reflective thought.

However, I have discovered a technique that may aid us in our attempt to judiciously critique a work of literature, be it a novel or film. Simply put, this technique is a careful analysis of the characters, how they are deployed in the story: do they represent the classic protagonist/antagonist that’s based on a black and white picture of reality? Or are they representative of a morally ambiguous reality in which the audience is trusted to be able to judge them? Merely a placeholder for an overarching ideology the author is foisting upon the reader? Continue reading Some remarks about The Wire