September 30, 2009

Saraswati

Filed under: Psychology, Literature, Pantheon — Awet @ 8:06 pm

A former Hindu goddess of knowledge, Saraswati was the daughter of Shiva and Durga. She is credited with the invention of language and knowledge for mortals, and the divine inspiration of their holy Scriptures. Mortals pray to her for moksha, or true wisdom that will deliver them from their mortal shells.

Saraswati’s fealty to fixed ideas causes her to bend all gods and mortals to high standards. Since she desires change in others into becoming better people, she is relentlessly critical and judgmental. Sometimes Saraswati is surprised when others do not appreciate her judgments, although she is quick to praise whoever meets her standards. (more…)

June 17, 2009

Ekchuah

Filed under: Psychology, Pantheon — Awet @ 4:09 pm

An amorous, consummate libertine who has lived the luxurious life and experienced all sorts of pleasures, retired from the violent days as the former Mayan god of war. On the surface Ekchuah is cynical and jaded, but his sophisticated veneer conceals a sentimentality he has always kept in check. He longs for his reckless youth, and desires it in others. He preys on the younger goddesses, and loves to chase them especially when they resist. No longer entertaining the illusions of his heyday Ekchuah is currently working with the bounty hunter Orcus these days.

The gods wear masks, for they are all in self-deception. They have buried their thoughts deep in order to appear polite and pleasant to one another. The clever ones like Ekchuah realize that they can uphold conventional behavior and spout platitudes entirely in line with the orthodoxy, at no cost to their true beliefs. Ekchuah blends in with the others, and is left alone with his dangerous thoughts, discreetly sharing them with certain others without any cost to his reputation. Sometimes Ekchuah spreads his thoughts indirectly, with irony and insinuation.

Ekchuah is notorious for his double-dealing ways. Often infiltrating his enemies’ ranks, and working from within to bring the system down, Ekchuah does not give them anything to see or react against. He has learned that he does not have to fight someone who has what he wants. Hence, he joins them and waits for the perfect moment to stage a coup d’état.

Instead of revealing his position publicly that informs the opposition of his intentions, Ekchuah  suppresses his desires to act out hostilities. Whosoever gains in publicity and feels good about expressing themselves openly loses in a reduction of their ability to inflict true damage.

He appears on the enemy’s side where he gathers valuable information (weaknesses or incriminating evidence). Subtle maneuvers such as distributing false information or persuading the enemy into self-destructive behavior result in untold damage far greater than any outside attacks could produce. By ostensibly playing the part of a loyal enthusiast, Ekchuah’s true and hostile intentions are easily concealed. Being undetectable means there isn’t any limit to the destructive powers in Ekchuah’s grasp.

June 1, 2009

Orcus

Filed under: miscellanea, Psychology, Pantheon — Awet @ 4:36 pm

Orcus

“…a single-minded pursuit of flagons, feasts, and fornication.”
Known as the former roman god of the underworld and an erstwhile punisher of broken oaths. He used to represent the evil and punishing side of Pluto (roman god of wealth) and tormented evildoers in the afterlife. His power is often limited to mortals, which means he has little to no role among the immortals. Mortals hate him, while the society of immortals often ridicule his position.

Clearly dishonest, disloyal, lacking interest in relationships, but in spite of these vices, Orcus represents a sort of exciting danger, particularly for women and goddesses. (more…)

March 31, 2009

Skuld the valkyrie

Filed under: Psychology, Literature, Pantheon — Awet @ 3:35 am


Skuld (necessity, or she who is becoming) was originally a sinister spirit of slaughter or dark demigoddess of death who hovered over battlefields and chose warriors to be admitted to Valhalla, the home of Odin’s army. She also held the Norn position, the goddess of fate, but nowadays she serves as a liaison to Teotihuacan.
Skuld in her long existence, has become a master at the game of seduction, where she orchestrates a game of emotional pendulum that swings between hope and frustration. The ability to delay satisfaction is the ultimate art of seduction: when the victim waits impatiently, he is held in thrall. The bait is the promise of reward (formerly, for the mortals it was the glory of Einherjar) - fundamentally, either pleasure or power – but the promise always remains elusive, which actually makes their targets chase Skuld even harder. (more…)

January 21, 2009

La paresse, or indolence

Filed under: miscellanea, Psychology — Awet @ 3:49 pm

<meta name="GENERATOR" content="OpenOffice.org 2.0 (Win32)" /><meta name="CREATED" content="20090121;13400876" /><meta name="CHANGED" content="16010101;0" /><style> <!-- @page { size: 8.5in 11in; margin: 0.79in } P { margin-bottom: 0.08in } --> </style></p> <p style="margin-bottom: 0in"><span style="font-style: normal">La Rochefoucauld says the least known of all the passions is idleness, yet it is also the most fierce and destructive of all; the evils it causes are concealed. </span><em>La paresse</em>, or idleness/indolence, is almost as much of an obstacle as self-love (<em>amour propre</em>) is in the search for truth itself. Despite working quietly and sometimes imperceptibly, indolence has the ability to change our lives: <a href="http://www.hyperboreans.com/heterodoxia/?p=117#more-117">(more…)</a> </p> </div> <div class="feedback"> <a href="http://www.hyperboreans.com/heterodoxia/?p=117#respond" title="Comment on La paresse, or indolence">Comments (0)</a> </div> </div> <h2>February 17, 2008</h2> <div class="post" id="post-100"> <h3 class="storytitle"><a href="http://www.hyperboreans.com/heterodoxia/?p=100" rel="bookmark">What’s so funny?</a></h3> <div class="meta">Filed under: <a href="http://www.hyperboreans.com/heterodoxia/?cat=2" title="View all posts in Philosophy" rel="category tag">Philosophy</a>, <a href="http://www.hyperboreans.com/heterodoxia/?cat=5" title="View all posts in Schopenhauer" rel="category tag">Schopenhauer</a>, <a href="http://www.hyperboreans.com/heterodoxia/?cat=10" title="View all posts in Psychology" rel="category tag">Psychology</a>, <a href="http://www.hyperboreans.com/heterodoxia/?cat=16" title="View all posts in Bataille" rel="category tag">Bataille</a> — Awet @ 5:26 pm </div> <div class="storycontent"> <p style="margin-bottom: 0in">What did the cannibal say to the other cannibal when they were eating a clown? <em>“Does this taste funny to you?” </em></p> <p style="margin-bottom: 0in">What makes us laugh? Can humor be explained? Why is it so hard to explain a joke to someone who doesn’t get it? The explanation of why something is funny cannot itself be funny, which defeats the purpose of explaining humor. However, it does not mean we can talk about a general theory of humor. Inasmuch a theory of music is not itself musical, a theory of love is not itself loveable, a theory of humor should not be required to be funny itself, either.</p> <p style="margin-bottom: 0in">In the essay <em>Laughter </em>the philosopher Henri Bergson claimed that laughter is a human, carefree and shared phenomenon. Laughter is human, because it does not take place elsewhere in nature, and carefree, because it does not require emotional involvement, and shared because it requires a community of shared opinion. This makes laughter a <em>‘light-hearted comedy.’</em> But Georges Bataille thinks otherwise: laughter interrupts commonality, shatters the rational indifference of the mind and negates the humanist ideal, for it is always <em>“intermingled with a pleasant sensuality.”</em> Laughter in this context is actually convulsive and overwhelming. This Bataillean laughter is not Nietzschean, which bespeaks a Mediterranean bright sun, a grateful disposition where serious truths are spoken while laughing. In Bataille’s writings you can hear him laughing like the madman of Nietzsche, like his insane father who screamed with pain as well.</p> <p style="margin-bottom: 0in">But the most plausible theory theory of humor is Schopenhauer’s, one that reduces all funny situations to paradox: an object is suddenly included in a completely foreign category and we perceive this as the incongruity between the conceptual and the real. Incongruity is essentially the inconsistency with our expectations, when the abstraction fails to include a certain particular event, person, or an object of thought, and we are surprised by this failure. Schopenhauer says humor as <em>“the cause of laughter”</em> is <em>“in every case … simply the sudden perception of the incongruity between concept and the real object.”</em> When the particular object transcends the general, it appears incongruous with the abstraction. In other words, humor emerges from the unexpected relief from the intellect as the victory of sense perception over the powers of abstraction. In humor we flee from our intellects. Surprise, also a crucial element of humor, in which <em>“the greater and more unexpected … this incongruity is, the more violent will be his laughter.” </em></p> </div> <div class="feedback"> <a href="http://www.hyperboreans.com/heterodoxia/?p=100#respond" title="Comment on What's so funny?">Comments (0)</a> </div> </div> <h2>June 18, 2007</h2> <div class="post" id="post-90"> <h3 class="storytitle"><a href="http://www.hyperboreans.com/heterodoxia/?p=90" rel="bookmark">Erotic Love</a></h3> <div class="meta">Filed under: <a href="http://www.hyperboreans.com/heterodoxia/?cat=5" title="View all posts in Schopenhauer" rel="category tag">Schopenhauer</a>, <a href="http://www.hyperboreans.com/heterodoxia/?cat=10" title="View all posts in Psychology" rel="category tag">Psychology</a> — Awet @ 1:10 pm </div> <div class="storycontent"> <p><span class="postbody">Typically, the literature indicates three types of love, such as <span style="font-style: italic">Eros </span>(erotic, sexual, since Romantic age, “romantic”) <span style="font-style: italic">Philia </span>(Friendship and family relations) and <span style="font-style: italic">Agape </span>(<span style="font-style: italic">Caritas</span>, asexual, unselfish and altruistic), but the most exciting type is Eros. It has been <span style="font-weight: bold">hypercognized</span>, meaning it has been excessively talked about, whether one is in love, looking for love, hurt in love, lost love, or just gossiping about scandals. Oddly, love isn’t a popular topic in the philosophy corpus, after Plato, notwithstanding some half-hearted attempts and concessions.</span></p> <p>The distinctions between the types of love offer a deep lesson. <span style="font-style: italic">Eros </span>has often included sexual desire, although Plato originally distinguished erotic love (something intrinsically rational and morally pure) from sexual desire (animal nature). Despite Plato’s best efforts of etherealizing <span style="font-style: italic">Eros</span>, a thousand years of Christianity has degraded and abused it until it degenerated into lust and selfishness. In contrast, <span style="font-style: italic">Agape </span>became increasingly altruistic, giving, until theologians claimed only God had this emotion.</p> <p>In the oldest treatise on love in western philosophy, Plato’s <span style="font-style: italic">Symposium </span>(something that has determined our ideas on desire) the courtesan Diotima tells Socrates the parents of Eros was Contrivance (cunning) and Poverty (need). Eros takes after his parents - for he is needy and always contriving to fill it. Eros knows as the god of love that love cannot be induced in another person if they don’t feel the need. So, his arrows pierce people’s flesh by making them feel a lack an ache or hunger. However, this amounts to little more than myth, and actually refers to the love of a Greek youth.</p> <p>Love is often considered a positive emotion, although whoever has been in love can relate with some of its nastier, negative and anxiety provoking aspects. Since love does reveal the world as wonderful and beautiful it is easy to call love beautiful and wonderful. But it also can inspire irrational and foolish behavior. Tina Turner is right when she called love a second-hand emotion. One’s love isn’t original, for everyone travels the same road. Love indicates a physiological substratum, on top of an evolutionary past. The physiological reality of love is sexual.</p> <p>However, sexual desire shouldn’t be confused with lust, which is a loaded term that presupposes condemnation, championed by sanctimonious moralists who are quick to condemn sexual activity. One of the greatest obstacles to inquiry are the fears and prejudices of morality, for they provide a certain reluctance, an inertia that avoids deep studies of the psyche. If prejudices of the heart – love and hatred - limit the mind, then they must be sacrificed for the sake of inquiry. And if Pascal is right, the heart holds reasons the mind is ignorant of, then the mind will give up the heart.</p> <p>Sexual Desire is perfectly normal. It isn’t gratuitous reductionism to trace the origin of the emotion of love to the natural desire for sex, because love does, in fact, encompasses much more. However, there is an undeniable physiological basis. Sexual desire in love may or may not be explicit, and it may be frequent or sporadic. Yet the energy of love, libido, originates in the primitive and clearly biological features of human psychology. Romantic love is built and shaped and molded on the natural desires for intimate contact and the reproduction of the species.</p> <p>The reasons why philosophers and theoreticians of human nature often ignore this<span style="font-style: italic"> “desire of desires,” </span>even though its reality is so pervasive and influential, is that their attitude is merely another example of the innumerable ways people delude themselves through idealization and mystification. We have grown so intellectually sophisticated that we can no longer recognize what is obvious, because when we learn of the <span style="font-style: italic">“great secret” </span>we never fail to be startled by its sheer enormity. Only once when we abstain from romanticizing love do we observe the sexual drive as the<span style="font-style: italic"> “most distinct expression” </span>of biology and then admit that the perpetual unremitting business of the biological imperative, as far as human existence is concerned, isn’t with the welfare of the individual <em>per se</em>, but solely with the preservation and propagation of the species. This maintenance of the species is achieved through appealing the individual’s egoism, which lies at the heart of all sexual passion, and capable of deceptively presenting the possession and enjoyment of the beloved as a supreme good to the lover.</p> <p>Schopenhauer was among the earliest thinkers to define the content of human motivation as sexuality, the<span style="font-style: italic"> “invisible central point of all action and conduct,” “the cause of war and object of peace, the basis of the serious and the aim of the joke,” “the key to all hints and allusions, and the meaning of all secret signs and suggestions.” </span>Even though the individual does not apprehend his own essence as such, the will of the species is carried forward by sexuality, and subjects the individual with two imperatives: advance his/her own interests and the interest of the human race. Sexual love, for Schopenhauer, singles out another person as the object of desire and is idealized. But this is an illusion, for the individual is being used by the biological doctrine of the species.</p> <p>Imagine yourself at an airport, on a business trip, waiting for your next flight. But your thoughts on your upcoming meeting are dashed the moment a beautiful woman enters the lounger and sits across from you. She reminds you of some Botticelli painting wrapped up in 21st century garb, possibly moving you, even sadden you. Unlike the Botticelli, she’s wearing a necklace. You begin to imagine your hands are massaging her slender neck, slipping in… Then you start to wonder if she is an violinist, or a research scientist… You deliberate on whether to ask her innocent questions (the time, directions to the bathroom), then you yearn for a terrorist attack where you would help her outside to safety, to coffee and more… Because terrorist attacks are seldom, you can’t help but lean over and ask the beauty for a pen…</p> <p>Later, you’re seated at a table in a small restaurant. A bowl of breadsticks sits between you, but neither of you can think of a way to grab the food with dignity so it lies unmolested. She didn’t have a pen, but she offered you a pencil. Not a violinist or a research scientist, but a recall coordinator for a major firm. By the time your plane was ready to board, you acquired a phone number and approval for dinner plans.</p> <p>A waiter takes your order. You ask for the lobster and she asks for the antipasto. She’s wearing a warm gray suit, and the same necklace. Your conversation centers around hobbies, hers is rock-climbing, tho she feels dizzy on the 2nd floor of apartment buildings. Another passion of hers is dancing, and she often stays up all night. You prefer bedtime by 11:30 pm. She explains a recall situation, and although you’re unable to follow her account, you’re convinced of her intellect and compatibility.</p> <p>After you pay for the dinner, you ask, with deliberate spontaneity, if it would be a good idea to return to your pad for a drink. She smiles and stares at the door. “That would be lovely, it really wold,” she claims, “but i have to get up early to catch a flight to Chicago. Maybe another time, though.” She smiles.</p> <p>Your despair is held in check with a promise that she will call from Chicago, maybe on the day she is back in town. But there’s no call on the appointed day. She claims the flight was delayed, that you shouldn’t wait. There’s a pause before you confirm the worst. Things are “complicated” in her life, and she’ll call you when the coast is clear.</p> <p>Your pain is normal – the force that’s strong enough to push you to reproduction cannot vanish without some collateral damage. Moreover, nobody is unlovable, your character is not repellent, nor is your face abhorrent. The potential union failed because you were unfit to produce a balanced child with that woman. One day you will meet someone who will find you wonderful (because your chin and theirs make a good combination). Forgive your rejector – she might’ve appreciated your finer qualities, but her will-to-live didn’t. Therefore we ought to respect nature’s edict against procreation that is the message in every rejection. You may be beset with melancholy, and take walks by the river and sit on the bench overlooking it.</p> <p>Is Schopenhauer right, that love but a clever way of tricking people into multiplying and contributing to the survival of the species? Is the attraction between two people merely the expression of the will, that always attempts to endure through the procreation and reproduction of the species? Does not the result, the progeny, confirm the endless hunger for existence? Are we doomed to interpret our existence in rational purposes, in order to invent purposes and continue under such false pretenses that conveniently upholds rationality?</p> <p>There are hardwired origins for sexual desire, and some psychologists point at certain proportions and traits that serve as innate triggers for sexual desire. Men and women judge one another subconsciously, whether the woman’s hips are wide enough to bear children, or whether the male has the features that is worth passing down to children. During ovulation, women experience sexual fantasies with other men, and are more prone to cheating on their partners. Hence, there exists a chemistry beyond actual compatibility, backgrounds, beliefs, values, etc. Although there is a distinction between infatuation and love, between finding someone attractive and falling in love, it is grounded in biological realities – not some cloud-cuckoo-land of simplistic romanticism or obscurantist cock and bull that it is a “mystery.”</p> <p>Love isn’t ineffable or indescribable, for it is an emotion, which means it also has an intentional structure, a way that puts the world one experiences in order. The Intentional Structure has to do with putting one’s beloved in a special position. The intentional structure of love allows the lover to see and appreciate all sorts of charms and virtues in the beloved. This is the process Stendhal called <span style="font-style: italic">“crystallization” </span>in his book on Love. Therefore, love can be described, and its description refers to the beloved. However, this description ends in an irresolvable paradox, and that is a topic for another thread. </p> </div> <div class="feedback"> Comments Off </div> </div> <div class="post" id="post-89"> <h3 class="storytitle"><a href="http://www.hyperboreans.com/heterodoxia/?p=89" rel="bookmark">Reading philosophy as confession</a></h3> <div class="meta">Filed under: <a href="http://www.hyperboreans.com/heterodoxia/?cat=2" title="View all posts in Philosophy" rel="category tag">Philosophy</a>, <a href="http://www.hyperboreans.com/heterodoxia/?cat=3" title="View all posts in Nietzsche" rel="category tag">Nietzsche</a>, <a href="http://www.hyperboreans.com/heterodoxia/?cat=10" title="View all posts in Psychology" rel="category tag">Psychology</a> — Awet @ 1:08 pm </div> <div class="storycontent"> <p><span class="postbody">I agree that devil’s advocacy in no way indicates the position they hold, but this misunderstands the philosophy as autobiography maxim. That one may take positions one doesn’t actually hold does not militate against the confession thesis, for the reasons of their advocacy remains the same as if they were advocating their own beliefs. If one were to be an incorrigible devil’s advocate, he would be an anarchic epistemologist who thinks all positions deserve advocacy, and that would be a position of its own open to the confession charge about his own beliefs regarding positions and ideas. One’s philosophy is one’s <span style="font-style: italic">“personal confession,”</span> an <span style="font-style: italic">“involuntary and unconscious memoir.” </span>This means great philosophy is profoundly autobiographical, for it cannot help betraying its grounds in the drives and the wishes of the heart: <span style="font-style: italic">“the moral (or immoral) intentions in every philosophy constituted the genuine germ of life out of which the whole plant grew every time.” </span></span></p> <p>It’s not so much about the ordinary beliefs of ordinary people that are under question, but the thinker’s justification of these beliefs by thinkers who initially started out as critics only to end up as apologists of the system of thought they pretended to fiercely expose. Philosophers attempted to constitute human knowledge on permanent and immutable foundations. Construction and criticism are compatible, for one rejects only to replace, getting rid of what is considered nonsense of beyond justification. The average person’s conscious thought are taken to be mostly instinctual activities, while the philosopher is considered as cautious and self-conscious in his controlling of thoughts. But Nietzsche think many philosophers weren’t that careful or self-aware, for they failed to call in question the deep falsehoods and unmeliorable fictions that were worked out at the dawn of civilization and remained with us ever since. As a result, thinkers located their foundations upon pre-existing foundations, which means their edifices conformed to a conceptual geography that was already laid down by previous thinkers, on all-too-familiar topography that is no longer detectable. <span style="font-style: italic">“The most self-conscious thoughts of a philosopher are guided by his hidden instincts and forced into determined paths.”</span> (BGE 3)</p> <p>The drive to knowledge or the will to truth isn’t the father of philosophy, for other (and more basic) drives utilize this claim as an instrument. The common feature to all drives is that each <span style="font-style: italic">“one of them would like only too well to represent precisely itself as the ultimate purpose of existence and as rightful master of all the remaining drives. For every drive is <span style="font-weight: bold">herrschsuchtig</span>: and as such it attempts to philosophize.” </span>(BGE, ch 1, Section 6). Philosophers are the <span style="font-style: italic">“wily spokesman for their prejudices which they baptize ‘truths’”</span> for they are neither honest nor courageous in that they do not speak to, much less admit, the true nature of their actions, even when they are aware of what they are doing. </p> </div> <div class="feedback"> Comments Off </div> </div> <h2>April 29, 2007</h2> <div class="post" id="post-86"> <h3 class="storytitle"><a href="http://www.hyperboreans.com/heterodoxia/?p=86" rel="bookmark">Modern Philosophy’s loss is Literature’s gain</a></h3> <div class="meta">Filed under: <a href="http://www.hyperboreans.com/heterodoxia/?cat=2" title="View all posts in Philosophy" rel="category tag">Philosophy</a>, <a href="http://www.hyperboreans.com/heterodoxia/?cat=10" title="View all posts in Psychology" rel="category tag">Psychology</a>, <a href="http://www.hyperboreans.com/heterodoxia/?cat=13" title="View all posts in History of Ideas" rel="category tag">History of Ideas</a>, <a href="http://www.hyperboreans.com/heterodoxia/?cat=14" title="View all posts in Literature" rel="category tag">Literature</a>, <a href="http://www.hyperboreans.com/heterodoxia/?cat=15" title="View all posts in Aesthetics" rel="category tag">Aesthetics</a> — Awet @ 1:09 am </div> <div class="storycontent"> <p style="margin-bottom: 0in">In my readings I came across <a href="http://www.amazon.com/Abuse-Casuistry-History-Moral-Reasoning/dp/0520069609">a fascinating theory by Stephen Toulmin</a> that concerned the relationship between modern philosophy and literature. Philosophy underwent a paradigm shift in the 17th century, a time that was torn by religious wars (only 30 years of European peace between 1560 and 1715). Thinkers who grew tired of the pettiness of their time urged for a theoretical approach that was atemporal, all-inclusive, and independent of context. They were convinced that a pure theory, a formal logic that was free of the taint of history or culture could issue forth truths that avoided the vicious reality of violence (war, punishment, etc.) and the practical wisdom of rhetoric.</p> <p style="margin-bottom: 0in">Prior to the 17th century, traditional philosophy dating back to Aristotle’s phronesis, esteemed practical wisdom a critical subject, where ethics was actually more about perceptive judgment than the logical deduction from a priori principles.</p> <blockquote><p><em>“Whereas young people become accomplished in geometry and mathematics, and wise within these limits, prudent young people do not seem to be found. The reason is that prudence is concerned with particulars as well as universals, and particulars become known from experience, but a young person lacks experience, since some length of time is needed to produce it.”</em></p></blockquote> <p style="margin-bottom: 0in">(<a href="http://www.amazon.com/Aristotle-Nicomachean-Cambridge-History-Philosophy/dp/0521635462"><em>Nichomachean Ethics</em></a> )</p> <p style="margin-bottom: 0in">There was a confidence about this 17th century theoretical approach that supposed the complexity of life could be adequately captured and brought under control. Yet, this approach only shrunk philosophy to a mere academic discipline by expelling the tradition of practical wisdom from its court.</p> <p style="margin-bottom: 0in">Luckily for us, this wisdom did not disappear, for it migrated to a new<em><strong> </strong></em>home in<em><strong> literature</strong></em> - the modern novel. Since the middle ages, casuistry (case-based reasoning, case by case basis) has unfairly degraded into a pejorative, no thanks to the <a href="http://www.newadvent.org/cathen/11511a.htm">relentless efforts</a> of Pascal, but it is actually the secret method in literature that investigates moral judgment in concrete situations.</p> <p style="margin-bottom: 0in">Early attempts are found in the works of Daniel Defoe and Jane Austen, where self-deception and honest introspection are devices of casuistry. For instance, Austen illustrates how the best judgment includes both the deep understanding of particulars and a healthy amount of doubt about one’s own perception that usually prevents the understanding of those particulars. This in effect demonstrates how theory based method in moral reasoning is doomed to failure. In <a href="http://www.amazon.com/Liaisons-dangereuses-Oxford-Worlds-Classics/dp/0192838679/"><em>Les Liaisons Dangereuses</em></a> the socialite Marquise de Merteil proved the incompatibility between vanity and happiness through shrewd manipulations of her rival, the inveterate rake Vicomte Valmont. However, it isn’t until the Russian novelists does casuistry emerge explicitly, particularly in the works of Tolstoy and Dostoevsky.</p> <p style="margin-bottom: 0in">Most philosophical novels consists of a protagonist advocating a philosophy that shrinks to an <em>idee fixe</em>, and attempts to live his life according to its letter. Usually, this effort is proven inadequate, for life’s complexity far exceeds such simplistic formulas, and the protagonist is defeated at the end of the novel. In<a href="http://www.amazon.com/Brothers-Karamazov-Fyodor-Dostoevsky/dp/0374528373"><em> The Brothers Karamazov</em></a>, a protagonist is convinced that morality is mere social convention, but eventually loses his sanity due to guilt over a crime he never committed. This is but only one case where Dostoevsky showed how useless our intentions are. According to common sense, our actions depend on the determination of our will. However, in <a href="http://www.amazon.com/Punishment-Bantam-Classics-Fyodor-Dostoevsky/dp/0553211757/"><em>Crime and Punishment</em></a>, Raskolnikov actually does not decide to off the old woman. He does plan for it, fantasize how it is to be carried out, but a strange turn of events transforms this hypothetical possibility to the actual reality of the murder. However, afterwards, Raskolnikov is unable to come up with any concrete explanation for the murder (he does advance phony ones from ideology, from utility, that he is the perfect homo sapiens, for justice, self-overcoming, and etc.), which means he did not truly “decide” his action. This effectively paints a case of the oversimplification of the common sense model of the mind, action and ethics.</p> <p style="margin-bottom: 0in">The novel is a testbed of a though experiment, where reality and the idea square off, and those that succeed its inner aesthetic logic survive. If the experiment exceeds the conditions of realism, where the author attempts to create events that only happen to validate his theory, then the novel will fail in a cliched abortion of a mess. The characters’ actions end up contrived, their motivations thin and transparent. Dostoevsky’s most audacious experiment was <a href="http://www.amazon.com/Idiot-Modern-Library-Classics/dp/0679642420/"><em>The Idiot</em></a>, where he attempted to place a Christ-like figure in late 19th century Russia aristocracy, but rendered by a master psychologist’s gift of insight. A simple Christian would’ve contrived to prove that the Christ-like figure would’ve overcome all the difficulties of human perversity and made other people better, but Dostoevsky knew better. In the end the Christ-like figure ended in utter destruction, for himself and others.</p> </div> <div class="feedback"> Comments Off </div> </div> <h2>November 21, 2006</h2> <div class="post" id="post-77"> <h3 class="storytitle"><a href="http://www.hyperboreans.com/heterodoxia/?p=77" rel="bookmark"><i>“Hypocrisy is the respect vice pays to virtue”*</i></a></h3> <div class="meta">Filed under: <a href="http://www.hyperboreans.com/heterodoxia/?cat=10" title="View all posts in Psychology" rel="category tag">Psychology</a>, <a href="http://www.hyperboreans.com/heterodoxia/?cat=14" title="View all posts in Literature" rel="category tag">Literature</a> — Awet @ 3:21 am </div> <div class="storycontent"> <p><em>*A truly cynical witticism by La Rochefoucauld.</em></p> <p style="margin-bottom: 0in"><strong>Hypocrisy</strong>, or “frontin,” is one of the least respected vices in modern society. Observe its impact when a politician is revealed as an hypocrite, where his behavior or speech is insincere, that he pretends to be what he is not. When his credibility is shot, his career no longer exists.</p> <p style="margin-bottom: 0in">However, hypocrisy was much worse during the Victorian age, where its exaggerated concern for the external appearance of virtue led to insincerity and deception. This concept is brilliantly exemplified in <a href="http://www.amazon.com/Red-Black-Penguin-Classics/dp/0140447644/">The Red and the Black</a>, a magnificent representative of 19th century French literature. Stendhal’s claim to immortality lies in his perceptive writing that balances social commentary with psychological insights of the main characters, the arrogant yet clueless Julien, the virtuous Madam de Renal, and the impulsive Mademoiselle Mathilde de la Mole.</p> <p style="margin-bottom: 0in">What I found most interesting was the portrayal of “hypocrisy” according to the protagonist’s perception and as the overall characteristic of society during the Restoration period. The trouble is, Julien despises hypocrisy, but at the same time, he realizes that in order to acquire success he has to give in and be hypocritical. He holds a romantic view of Napoleon, but conservativism has forbidden such sentiments. Since the only possible route for the son of a bourgeois is the priesthood, Julien learns Latin in order to impress Chelan, the local priest, and this is only the first of a long series of insincere acts that helps him to get ahead. Authenticity is cheap.</p> <p style="margin-bottom: 0in">Rousseau, one of Stendhal’s philosophy muses, claims the source of hypocrisy is society itself because it is artificial and its members develop deformed natures. Society is deemed artificial because it imposes inequality among its members, especially when inherited social rank and inherited rank have nothing to do with the innate abilities of the person. Also, the artificiality of language creates a gap between the ideals and behavior in the real world. These ideals such as beauty, freedom, happiness, are all impossible to actualize in the real world because they are indefinable. There is nothing in the real world to correspond to these abstract ideals. The pursuit of abstractions in a socially invented hierarchy of wealth and rank causes psychological damage to people. One cannot truly live in an artificial world and escape the charge of hypocrisy.</p> <p style="margin-bottom: 0in">Stendhal carefully showed how hypocrisy could betray a secret truth of character, and more importantly how the phony emphasis on piety actually drained all passion from the interactions of people in Parisian society.</p> </div> <div class="feedback"> Comments Off </div> </div> — <a href="http://www.hyperboreans.com/heterodoxia/?cat=10&paged=2">Next Page »</a> <!-- begin footer --> </div> <!-- begin sidebar --> <div id="menu"> <ul> <li class="pagenav">Pages<ul><li class="page_item"><a href="http://www.hyperboreans.com/heterodoxia/?page_id=2" title="<i>He who the people hate... is as the wolf is to the dogs... the free spirit."</i>"><i>He who the people hate... is as the wolf is to the dogs... the free spirit."</i></a></li> <li class="page_item"><a href="http://www.hyperboreans.com/heterodoxia/?page_id=157" title="A brief history of my philosophy">A brief history of my philosophy</a></li> </ul></li> <li id="linkcat-1"><h2>Blogs worthy of your time</h2> <ul> <li><a href="http://maverickphilosopher.typepad.com/" title="Excellent philosophy blog">Maverick Philosopher</a></li> <li><a href="http://muddyturf.blogspot.com/" title="Muddy">Muddy's Turf</a></li> <li><a href="http://otakubloggers.wordpress.com/" rel="me" title="Anime reviews">Otaku Bloggers</a></li> <li><a href="http://dailynietzsche.blogspot.com/" title="Nietzsche">The Daily Nietzsche</a></li> </ul> </li> <li id="categories">Categories: <ul> <li><a href="http://www.hyperboreans.com/heterodoxia/?cat=1" title="View all posts filed under miscellanea">miscellanea</a> </li> <li><a href="http://www.hyperboreans.com/heterodoxia/?cat=2" title="reflections about the art of reflecting…">Philosophy</a> <ul class='children'> <li><a href="http://www.hyperboreans.com/heterodoxia/?cat=3" title="View all posts filed under Nietzsche">Nietzsche</a> </li> <li><a href="http://www.hyperboreans.com/heterodoxia/?cat=4" title="View all posts filed under Sartre">Sartre</a> </li> <li><a href="http://www.hyperboreans.com/heterodoxia/?cat=5" title="View all posts filed under Schopenhauer">Schopenhauer</a> </li> <li><a href="http://www.hyperboreans.com/heterodoxia/?cat=15" title="View all posts filed under Aesthetics">Aesthetics</a> </li> <li><a href="http://www.hyperboreans.com/heterodoxia/?cat=16" title="View all posts filed under Bataille">Bataille</a> </li> </ul> </li> <li><a href="http://www.hyperboreans.com/heterodoxia/?cat=7" title="View all posts filed under NBA">NBA</a> </li> <li><a href="http://www.hyperboreans.com/heterodoxia/?cat=8" title="View all posts filed under Religion">Religion</a> <ul class='children'> <li><a href="http://www.hyperboreans.com/heterodoxia/?cat=6" title="View all posts filed under Christianity">Christianity</a> </li> </ul> </li> <li><a href="http://www.hyperboreans.com/heterodoxia/?cat=9" title="View all posts filed under Existentialism">Existentialism</a> </li> <li class="current-cat"><a href="http://www.hyperboreans.com/heterodoxia/?cat=10" title="View all posts filed under Psychology">Psychology</a> </li> <li><a href="http://www.hyperboreans.com/heterodoxia/?cat=11" title="View all posts filed under Poststructuralism">Poststructuralism</a> </li> <li><a href="http://www.hyperboreans.com/heterodoxia/?cat=12" title="Posts about deaf people, sign language, deafness, and other related subjects. 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