Best anime of 2012

Mutta, from Space Brothers, expressing embarrassment about my list

After reviewing the best of anime of 2011, I realized that ranking great masterpieces was a disservice to each other, and to everyone, so I decided to pick only the best two of each season, and leave out the subjective, inconstant ranking. As always, they are based on my mixture of subjective preferences of philosophical depth and aesthetics appeal, but I try to leave room for the unexpected, which allows me to learn how to enjoy despite my worst habits. 



Chihaya, geeked to the gills


Chihayafuru is proof that josei slice of life and sports shounen genre can be merged seamlessly into a masterpiece, without requiring generic characters or by-the-numbers plot, or jazzy animation. Although this series isn’t over, its powerful presentation and divine combination of high-risk elements deserve a spot.

Favorite character: the blustery Chihaya



Shinobu, jazzed that she’s made it

Unique characters and sharp dialogue + gorgeous animation is always a win in my book. Bakemonogatari was an impossible act to follow, but art director Shinbou pulled it off with that distinctive Shaft aesthetic and Nisioisin’s wordsmithery, and kept the flame alive with a larger budget and some sophisticated fan-service thrown in for extra measure.

Kaiki the purely pragmatic capitalist

Favorite character: the villainous Kaiki + the suddenly verbose Shinobu. Too many, actually.




Kuritsugu using his command seals to get on this list

Fate/Zero is one of the most cruel and diabolically intellectual stories ever. A nigh-grim-dark exercise where everybody loses because the prize of the entire tournament turned out to be the ultimate villain. For an in-depth analysis, check this out. World class anime studio (Ufotable) + Nihilistic genius writer (Urobuchi) = Anime of 2012

Favorite character: Kuritsugu


Nazo no Kanojo X (Mysterious Girlfriend X)

Urabe the Mysterious Girlfriend is all appreciative

One of the most surprising anime adaptations that improved on the original material, Nazo no Kanojo X is a divine paradox that began with an icky premise and ended with a deeply nuanced metaphor for first love and emerging sexuality. Drool = exchanging bodily fluids = sex What seemed a retromodernist exercise in 80s anime/manga nostalgia turned out to be one of the most brilliant shows about relationships I’ve ever seen.

Favorite character: Urabe




Mayaka at her dubious best regarding this list

Despite its pedigree, and despite the mile-long shadow of The Melancholy of Haruhi Suzumiya, Hyouka pulled off the impossible trick of appearing simple yet nailing some profound themes with some of the best animation in years. After a slow start, Hyouka proved itself with a brilliant story arc with the Kanya Festa. The mysteries, while themselves intriguing, were rather besides the point, because they were only a means for the show to portray a certain sophisticated and somewhat wistful ambiance.

Fav character: Mayaka


Eureka Seven AO

Elena, the eternal otaku, approves.

The most difficult obstacle of a sequel is always the standards of its predecessor and the expectations it instills in the audience. Eureka Seven was an immensely popular 50-episode journey into shounen brilliance. However, Bones studio decided to go in another direction, into a geo-political thriller slash classic scifi themes of otherness, and they succeeded with a relentlessly muscular plot chock-full of twists after twists. Whether Eureka Seven AO succeeded depends on whether you are capable of appreciating execution over the message itself.

Favorite character: Elena




The cast (left to right: Masoka, Kougami, Tsunemori, Kagari, Ginoza, and Kunidzuka)

As a sophisticated analysis of cyber-dystopian future, PSYCHO-PASS pulls off the tricky balance between action-thriller and social satire. Thanks to the creator Gen Urobuchi, anime will always have intellectual shows soaked through with dense philosophical subtext and literary references. You can’t lose when a show is comfortable with either quotes by Kierkegaard or allusions to The Most Dangerous Game.

Favorite character: Masoka the wise guru

Shinsekai Yori (From the New World)

(left to right) Satoru, Saki, Maria, Shun, Mamoru

Easily the scariest show of the season, if not the year, by far, with disturbing themes that exceed the more conventional trappings of shows in the horror genre. With gorgeous design and amazingly original post-civilization world building, Shinsekai Yori lulls you into a false security with an idyllic presentation before slapping you silly for such naiveté, and by then it’s too late to stop watching. Episode 10 stands out in particular. While its execution is somewhat less consistent than the other top shows of this list, Shinsekai Yori might be even more ambitious than the rest of them.

Favorite character: None as of this date

*Since both shows are still incomplete, the reviews are hardly more than general impressions.

Best of the Rest

Mirai Nikki (Future Diary)

Yuno, the queen of Yanderes

By far, my favorite show of the year. Review here.

Sakamichi no Apollon (Kids on the Slope)

(left to right) Ritsuko, Kaoru, and Sentarou

Probably the best executed show of the year, with high production values and wonderful scripting and deft touch. Somewhat rushed ending diminishes it slightly.

Lupin the Third: A Woman named Mine Fujiko

Mine Fujiko isn’t happy she’s this low.
A classic retro-modernist take of a classic 70’s exploitation, but with the endlessly multi-dimensional character of Mine Fujiko.

Space Brothers

Mutta’s internal monologue never fails

by far the funniest show of the year, with the most relateable main character in Mutta. I couldn’t help but laugh at every gag, even though some were clearly visible a mile away. When a show convinces you that you’re in cahoots with the main lead’s nefarious antics, it has succeeded on all counts.

Mouretsu Pirates

Git a scrubbin’ before Iron John Marika!

Mouretsu Pirates had a fantastic combination of pulpy adventure and whimsy, topped off with an excellent character in 18 year old high schooler cum pirate, Marika.

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...a philosophisticator who utters heresies, thinks theothanatologically and draws like Kirby on steroids.

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