Recently I’ve thought about how tragedy has been minimized in modern culture if not totally eliminated. If tragedy is supposed to be the aesthetic experience par excellence, the most divine product, then its slow fade to black is worth investigating. It is a given that the greatest of literary geniuses of the modern era consistently fail to produce a contemporary account of tragedy, and the reasons are legion. Continue reading The tragic fate of Tragedy…
Sometimes a spade is not a spade.
Aren’t metaphors merely a colorful way of saying something literal, that is otherwise, a non-boring way of saying something boring? Merely the rhetorician’s weapon that subjects his/her audience into compliance? The dictionary of literary terms denote the metaphor as a figure of speech where something is described in the terms of another, or attribute something with a quality that is associated with something else. For instance, Walt Whitman’s metaphor for grass is “the beautiful uncut hair of graves.” The relation between the two terms in a metaphor is implicit, unlike a simile, where it is explicit. Continue reading Sometimes a spade is not a spade.
Boredom is not boring in itself.
I first encountered philosophical boredom in Nietzsche and Sartre during my early years, and didn’t really grasp the significance or magnitude until I read American Psycho. While vacationing in Italy, I read the majority of the Fritzean corpus and came across two important aphorisms regarding boredom: (paraphrased from memory) if the highest creatures are susceptible to boredom, then the infinitely perfect being is also susceptible to infinite boredom. Therefore when god “rested” on the 7th day he was bored with his creation so he sank to the grass and became a snake…. Continue reading Boredom is not boring in itself.
The irony of the Enlightenment
The irony of the Enlightenment: Immanuel Kant, the late 18th century thinker, was indisputably the greatest philosopher of Enlightenment. But it is also interesting to note that his critical philosophy project resulted in a devastating blow to the foundation of Enlightenment itself- our trust in reason. The faculty of reason is essentially an impulse for the unconditioned condition, and constantly urges our understanding on. Kant made it clear that man will never know the true nature of reality, and is limited to mere appearances. Despite being championed as the great icon of Enlightenment, with his transcendentalism he set the ball rolling down the mountain of truth and shattered the ideals of the gilded age at the bottom, in the gulch of the 20th century.
We are picking among the remnants for whatever remains salvageable. The consequences of such absurd praise of reason or rationalism in Enlightenment resulted in two great wars in the 20th century, which were committed at the source of naturalistic humanism. Reason and rationalism, secular reasoning especially never achieved its vast promise of transforming a superstitious culture into a rational utopia. At least some of us realize that within this massive failure, liberation is never of the human, but always and only in a negatory manner: from the human. Where does that leave us? The ghost of a lost innocence haunts the age in the form of postmodernist reflections.
Why ethical judgments are nonsensical
This brief piece explains why all ethical judgments are essentially nonsense. Since ethical judgments are based on absolute standards, which themselves are independent of all other standards, they are neither rational nor irrational. Therefore ethics as the philosophy of morality is a useless passion, and does not have anything to do with truth or falsehood. Continue reading Why ethical judgments are nonsensical
On the Genealogy of Deicide
Why deicide precedes posthumanism
The significance of the death of God has many aspects, but the most important one is the painful realization that metaphysical foundations have become empty, irrelevant, and consequently, romantic. But it is human weaknesses that keeps those foundations circulating under the pretense of necessity, due to shame, cowardice masquerading as arrogance, and self-indulgent nostalgia. Continue reading On the Genealogy of Deicide
Some comments on Nietzschean Politics in light of liberal thought
“My philosophy aims at an ordering of rank, not at an individualistic morality” Will to Power, 287
Nietzsche’s political thinking remains a source of confusion as well as embarrassment for most scholars seeking to appropriate conceptual tools, largely because they tend to be incongruous with the standard liberal ways of thinking about politics, which have prevailed for the past 200 years. In political thought, Nietzsche departs from liberalism in a number of ways:
- He does not regard the human being as inviolable, that human life is sacrosanct.
- Neither does he believe that all persons should be treated with equal respect as moral beings.
Much like liberalism, Nietzsche’s conception of politics is instrumental, but it differs radically from the liberal in his valuation of human life. Whereas for liberalism politics is a means towards peaceful coexistence of individual agents, for Fritz it is a means for human greatness. Fritz is committed to ‘perpetual self overcoming’ and the ‘enhancement of man.’ This enhancement does not consist of improving of the conditions of life for the majority of people, but in the generation of few striking superlatively vital ‘highest exemplars’ of the human species. The production of magnificent specimens is possible only in a society politically organized along strict hierarchical lines.
The Herd and the Great Thinker
In order to set the mood properly for this blog, I have decided to include several quotes by Fritz:
“What I understand by ‘philosopher:’ a terrible explosive in the presence of which everything is in danger.” Continue reading The Herd and the Great Thinker
Aesthetic of Art
Questions that are framed by the word “what” are formally essentialist, because they presuppose the possibility of an essence that satisfies the question. Ergo, asking questions like “what is art” predisposes the subject matter of art into an essentialist framework. Continue reading Aesthetic of Art