The so-called “high priest of postmodernism,” Jean Baudrillard evolved from a Marxist-inflected critical commentator of the affluent society to an ambiguous position that can be described either as a bleakly lucid perception that is resigned to the omnipresence of the society of spectacle, or as a horrified fascination with the shallowness of a postmodern society where the sign has become a simulacrum that signifies nothing.
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